Middlemarch
George Eliot
Category: classic
fiction
Synopsis: Observations
on the interwoven lives of the residents of the fictitious English town of Middlemarch.
Pages: audio CD
Date finished: 14
April 2015
Rating: *****
Comments:
If you ask me today what my top three favorite novels are,
I’d say “
Pride and Prejudice,
To Kill a Mockingbird, and…
Middlemarch.” Seldom does a book stop me
absolutely dead in my tracks, but this one did. This is a long book, one that
I’d heard mentioned over the years, but I had no idea what it was about. Being
so long (my
Penguin clothcovered edition is 900
pages), I knew I wouldn’t get to it any time soon unless I
“read” it on audio. (More on that experience in a
minute…)
I find writing reviews of books I love a nearly impossible
task. I’ve put off writing this review for weeks, at first because I was still
processing, then because I was still savoring, and finally, out of fear for
finding the correct words. But it’s time to get my thoughts on paper (screen?) before I
lose them.
I’ll start by saying that nothing particularly spectacular
happens in this novel. I have a high tolerance for that in novels—in fact,
they’re my favorite kind. I’m much more interested in characters than plot, and
I appreciate authors who put their energies into presenting a fully-fleshed
human character (likable or not) rather than into fantastical plots. I don’t like
to “escape” into fiction; I like my fiction to imitate real life. The
characters in Middlemarch aren’t excruciatingly complex, but they are three-dimensional.
Each has good qualities and foibles. Each has setbacks in the course of the
novel, and each either shows real human growth because of how they deal with
them or takes their unlearned lessons to their grave.
This book was originally published serially in eight parts,
and at the time no one knew how Eliot would end it. I find that naively unbelievable.
I’ve got to tell you, I knew how it would end, but there were dozens of plot
twists along the way that made me giddy with “I didn’t think of that!” This
serial nature explains, too, why Eliot was still introducing characters almost
halfway through the book, and why plots were thickening right up until the end.
While I never really doubted how the book would end, I did wonder often how the
“how” would happen.
But what I loved
about this book is how astute George Eliot is in diagraming human nature and
calling out her characters’ assets and arrogances. She’s absolutely dead on
with her wry descriptions of people and situations. She makes her characters
realize things that subsequently change them. And, alternately, she keeps some
of them in the dark as to their own motives. This is a big book with dozens of
characters and it covers the range of human emotions, experiences, and
relationships. We see pride, humility, manipulation, piousness, sincerity,
morality, earnestness, envy, futility, callousness, cruelty, self-importance,
selfishness, pettiness, tenderness, and jealousy. We see how wealth corrupts,
how irresponsibility sets off a chain of events that touch on more lives than
the selfish source of it. We see secrets uncovered, passions revealed, devotion
as both a safety and an albatross, as one’s reinforcing and also one’s undoing.
We examine interpersonal relationships in families and in civic contexts. We
see the depths of marriage exposed; Eliot does not shy away from plumbing the
hard truths of marital intimacy. Faith and religion is examined, politics and
art are examined, the esoteric worthlessness of some (most?) education and
self-study is examined. Timeless topics such as social class,
medical progress, finding ones true vocation, female beauty, debt, and vice are all
stripped bare and presented. In short, we see a microcosm of the human
experience in one small English community. And one book holds it all. Eliot’s
emotional intelligence is brilliant. Her writing is stunning. And her
interweaving of characters and plots and destinies is flawless. This is a book
that you don’t stop reading once you’re done reading, because it continues on
into your life.
As I said, I listened to the audio. There were times I
wished I was reading the book, though. I would have enjoyed savoring certain
passages and giving others more time. Should I revisit the book—and I know I
will someday—I think I’ll read it rather than listen to it.
That said, the audio I bought is superb. It’s narrated by
Nadia May, who I guess is a big deal in the audio narration world (who knew
there were awards for such a thing?). She’s British, so you can know that proper
names are correctly pronounced (Casaubon = Casorbon; Caleb = Callub) and she
reads with an understanding of the text but not too much interpretation of it
so as to color yours. She excels in giving each character (and there are many)
his or her own voice, so you can know who’s speaking before the dialogue clues you
in. It really made the book come to life.
Now, the audio collection I bought contains 25 CDs of about
75 minutes each. I’d say it wasn’t until about disc 10 that I was able to give
into the book’s pace and really settle in. So, keep that in mind if you’re
listening (or reading) this one.
Would you recommend
this to a friend?
Oh yes. To everyone I meet from here on out.