The 100 Best African American Poems
Nikki Giovanni (Ed.)
Category: Poetry; African-American
Synopsis: An anthology of the best 100 African American poems, as edited by Nikki Giovanni.
Date finished: 4 September 2013
Comments:First, I must admit I am not the best person for reviewing this book. My knowledge of African-American poetry is by no means extensive. By no means.
That said, I have some opinions.
As I see it, there are two things you can comment on when reviewing an anthology of poetry. One is how well the subject (or era, etc.) of the anthology was represented. The second is how well the anthology resonates with you as a reader.
An anthology exposes the prejudices of the editor compiling it, for better or worse. Our editor, Nikki Giovanni, came of age during the Civil Rights and Black Power movements. She has used her poetry and notoriety to speak out on these issues. You do not need to know that to read this collection, as it will become evident by the poems chosen. They lean heavily toward these issues. In her introduction, she talks about including poems by poets from her mother’s generation—Robert Hayden, for one—as almost an apology. (Or maybe I’m oversensitive. I believe Those Winter Sundays is one of the most wonderful poems in the English language.)
We do see the usual suspects here:Theme for English B, The Negro Speaks of Rivers, and Harlem by Langston Hughes
We Real Cool by Gwendolyn Brooks
Homage to My Hips by Lucille Clifton
These usual suspects are familiar and welcoming. And there is a nice mix of generations here. There were a few poets that I felt were underrepresented. I was surprised by the omission of Maya Angelou and the near omission of Rita Dove (Poet Laureate, 1993-1995), for instance.
And I have to tell you I was quite irked about the inclusion of no less than six poems by Giovanni. Six! Now, I realize there was a selection committee, but still, I would have limited my own presence in the 100 BEST to ONE of my own poems. Apparently, Ms. Giovanni is not a, shall we say, humble, woman.
As for how well the anthology resonated, I judge poems like I judge music, poem by poem, song by song. There are some gems here, there are a lot of poems important for historical reasons (poems about Emmett Till and the Freedom Riders—but Tupac Shakur, not so much, IMHO), and there are poems that a white woman simply can’t relate to, no matter how hard I try. I don’t think that’s a bad thing.
I did fell in love with a poem by Kwame Alexander. It was by far my favorite in the whole collection.
Overall, I’m glad I read this collection, but it didn’t live up to my excitement over discovering it. I was hoping for more new-to-me poets and less bashing of the right wing (I’m looking at you, Giovanni). It felt a little too heavily slanted toward activism, which is a comment that just might land me in know-nothing honky land, but so be it.
For the record, I read the Introduction three times and still have no idea what Giovanni means when she says she “cheated.”
Would you recommend this to a friend?It’s a good collection for a class studying African-American poetry. But to the average reader, probably not.
You might also enjoy:Love Poems by Nikki Giovanni – this is, to my recollection, the only book of her poetry that I’ve read, but the poem “The Only True Lovers Are Chefs or Happy Birthday Edna Lewis” burns me down.